I just enjoyed the heck out of this post.
It’s part stand-up comedy, enough vulnerability to make Brene Brown proud and teeming with great points about flashbacks.
Survivors live in the world of flashbacks. We experience them often in our day-to-day, hour-to-hour lives until our heads hit the pillow and then they often dominate our unconscious dream time.
What appeals to me here is that it gives us an element of control to our otherwise uncontrollable lives. Many of us owe our past a debt of gratitude for making us a fierce, strong warriors of the present. We’ve endured some major shit and can often yawn in the face of adversity as adults. But this gives us the tools to pull the meat of those experiences off the bone and finally end that pointless blabbering of our flashbacks.
Kudos to Kristen Lamb for this gem.
This week we have been discussing flashbacks. What are they? Why do readers, agents, editors generally want to stab them in the face? Is it truly a flashback or is the writer employing an unorthodox plotting structure (The Green Mile or The English Patient)? Shifting time IS a legitimate literary device, but like ALL literary devices, it has strengths and weaknesses.
Theme is wonderful. But if we lay it on too thick, we can turn off readers because our story comes across as preachy or lecturing. Symbolism? Love it! But overdo this and readers can get irritated. Can the drapes JUST BE BLUE? Deus ex machina IS a legitimate literary device. Feel free to use it. I wouldn’t recommend it, but knock yourself out.
As I like to say, Have fun storming the castle! *waves and grins*
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